Cannon-Form Bottle Holder in Turned Wood and Rope by Audoux-Minet, France, circa 1970
Cannon-form bottle holder in turned and hand-finished dark wood with rope detailing at the breech, the wine bottle accommodated in the barrel. A signature piece by the Toulon-based design duo Adrien Audoux and Frida Minet. France, circa 1970. W. 29 × D. 17.5 × H. 19.5 cm.
PRODUCT DETAILS
| Dimensions en CM | 29 x 17.5 x 19.5 cm |
|---|---|
| Dimensions en INCH | 11.42 x 6.89 x 7.68 inch |
| Période | 1970–1980 |
| Style | Mid-Century Modern |
| Matériaux | Solid Wood |
PRODUCT DESCRIPTION
This bottle holder in the form of a toy cannon is one of the most celebrated designs from the workshop of Adrien Audoux and Frida Minet, the husband-and-wife duo who, from their studio in Toulon, created some of the most distinctive and collectable decorative objects of French design in the 1960s and 1970s. The cannon takes shape through turned and hand-carved wood — richly patinated dark wood whose warmth and organic grain give the piece its quietly sculptural character — assembled into a convincing cannon silhouette: a cylindrical barrel sized to hold a wine bottle, resting between two large circular wheels, the breech accented with rope wrapping in the duo's unmistakable manner.
Audoux and Minet's aesthetic was rooted in the honest beauty of natural materials. Trained originally in interior design, they pivoted in the mid-20th century towards the creation of furniture and objects using rope, wood and rattan — materials then associated with artisan seafaring tradition but which, in their hands, became vehicles for a refined, witty modernism. Their production ranged from floor lamps and rattan chairs to bottle holders and trays, and every piece bears the same combination of material intelligence and formal playfulness.
The cannon bottle holder typifies this spirit perfectly. It is at once a functional object — the barrel is sized to receive a standard wine bottle for presentation at table — and a sculptural gesture, a knowing wink at the traditions of French military pageantry and the decorative arts of the 18th century, when cannon-form objects and military motifs regularly appeared on the finest tables of the ancien régime.
Dating to around 1970, this example shows the aged beauty of well-seasoned wood and rope, its surface carrying the depth and character that comes only with time. A genuine Audoux-Minet piece, now widely sought by collectors of French mid-century decorative arts, and a conversation piece of the first order.
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