Neoclassical Bronze and Brass Coffee Table with Glass Shelves, Maison Baguès, Circa 1940

Neoclassical coffee table in bronze and brass with clear glass shelves. French work by Maison Baguès. Circa 1940.

PRODUCT DETAILS

Période 1930–1940
Dimensions en CM 89.5 x 49.5 x 45.5 cm
Dimensions en INCH 35.24 x 19.49 x 17.91 inch
Style Neoclassical
Matériaux Bronze

PRODUCT DESCRIPTION

This refined coffee table is executed in bronze and brass with a neoclassical structure, its frame composed of precisely wrought metal elements in the classical manner — columns, stretchers, and decorative mounts — supporting two clear glass shelves that allow the eye to travel through the piece and add a sense of elegant lightness. The combination of bronze and brass produces a warm tonal dialogue between the two metals, the deeper richness of the bronze complementing the brighter gleam of the polished brass. The overall effect is one of luxurious restraint characteristic of the finest French decorative furniture of the 1940s.

Maison Baguès, one of the most prestigious names in French decorative metalwork, was celebrated throughout the twentieth century for the exceptional quality of its gilt bronze and brass pieces. Founded in the nineteenth century, the house developed a mastery of the decorative arts of fire — casting, chasing, gilding, patination — that was unequalled in the luxury trade. Its neoclassical furniture and lighting, produced for the grandest Parisian residences and exported to the most distinguished international clients, are distinguished by precision of casting, richness of finish, and scholarly fidelity to classical sources. A Baguès piece is always a mark of impeccable taste.

This coffee table would anchor a sitting room with quiet authority, its bronze and brass structure providing the warm, lustrous focal point that a fine room requires. The glass shelves add practical surface area while maintaining the composition's sense of visual transparency. As a work attributed to Maison Baguès, it represents the highest tradition of French decorative metalwork and would be an acquisition of significance for any collector of twentieth-century French decorative arts.

SIMILAR SELECTIONS