PRODUCT DETAILS
| Période | 1970–1980 |
|---|---|
| Dimensions en CM | 120.0 x 60.0 x 33.0 cm |
| Dimensions en INCH | 47.24 x 23.62 x 12.99 inch |
| Style | Mid-Century Modern |
| Matériaux | Brass |
PRODUCT DESCRIPTION
An elegant coffee table with clean, architectural lines, entirely structured in polished gilded brass, whose precise geometry subtly evokes the formal vocabulary of prestige furniture from the 1970s. The smoked glass top, suffused with a deep amber tint, lends the piece a remarkable visual lightness while accentuating the golden warmth of the brass framework. The refinement of the proportions, the precision of the joinery, and the quality of the finishes speak of an exceptional level of craftsmanship.
This piece is the work of Guy Lefèvre, one of the leading French decorators of the second half of the twentieth century, who collaborated closely with Maison Jansen from the 1960s onward. Trained at the École Nationale Supérieure des Arts Décoratifs in Paris, Lefèvre developed a highly personal style defined by the marriage of precious metals — brass, bronze, chrome steel — with noble materials such as onyx, marble, and smoked glass. Maison Jansen, founded in Paris in 1880 by Dutch entrepreneur Jean-Henri Jansen, was at that time the most celebrated interior decoration house in the world, furnishing royal palaces and the grand residences of international aristocracy. It was within this legendary atelier that Guy Lefèvre gave full expression to his remarkable talents.
Signed by an identified creator and executed for one of the most prestigious houses in the history of French decoration, this table represents a rare and distinguished example of Parisian luxury from the period. Works by Guy Lefèvre for Maison Jansen are today eagerly sought by collectors of twentieth-century furniture, prized both for their impeccable execution and their ability to hold their own in contemporary interiors. A character acquisition par excellence, at the intersection of artisanal mastery and the bold creative spirit of the postwar decades.
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