Large Pair of Lucite and Chrome Side Tables, French Work, circa 1970

Large pair of lucite and chrome side tables. French work. Circa 1970.

PRODUCT DETAILS

Période 1970–1980
Dimensions en CM 68.5 x 68.5 x 53.5 cm
Dimensions en INCH 26.97 x 26.97 x 21.06 inch
Style Mid-Century Modern
Matériaux Plexiglass

PRODUCT DESCRIPTION

Remarkable for the purity of their formal language, this large pair of side tables in lucite and chrome embodies the utopian spirit of French design in the 1970s, when transparency became a manifesto. The crystal-clear lucite — that industrially produced acrylic resin that designers of the era elevated to the status of a noble material — lends these tables their characteristic lightness: they seem to float in space, their outlines dissolving into their surroundings while the chrome armatures trace crisp, confident lines in the air. The interplay between transparent surface and reflective metal creates a perpetually shifting optical play that animates any interior.

The use of lucite in French furniture design reached its peak in the late 1960s and through the 1970s, championed by figures such as Yonel Lebovici and a generation of designers who saw in synthetic materials the promise of a new aesthetic freed from historical precedent. The material's association with Pop culture, science fiction, and the space age gave it an irresistible forward-looking glamour that was eagerly embraced by the most progressive Parisian interiors of the decade. This pair, with its generous dimensions and immaculate chrome framing, represents the most accomplished expression of that vision.

Today, these side tables speak as fluently to the contemporary interior as they did to the avant-garde salons for which they were conceived. Their neutral transparency makes them the perfect companions for any colour palette or decorative style, while their period character and the quality of their manufacture ensure their status as genuine collector's pieces. To acquire this pair is to introduce a fragment of the most creative chapter of French modernism into one's home.

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