Op Art Mirror in the Style of Victor Vasarely, French Work, Circa 1970

This striking mirror takes the vocabulary of Op Art as its starting point, deploying geometric forms in a composition that creates a vivid illusion of movement and spatial depth. The optical effect, achieved through the precise interplay of form and contrast, transforms the mirror from a purely functional object into a mesmerising visual proposition. Executed in France around 1970, the piece belongs to a moment when the lessons of kinetic and optical art had fully permeated the decorative arts, from monumental public commissions to intimate domestic objects. Please note: the mirror has a small crack at one corner.

The work draws direct inspiration from the art of Victor Vasarely (1906–1997), the Hungarian-French pioneer universally acknowledged as the father of Op Art. Having settled in Paris in 1930, Vasarely spent decades developing a rigorous language of geometric abstraction based on the systematic exploration of optical phenomena — the way the eye perceives depth, movement, and colour contrast within flat, two-dimensional compositions. His work, shown at major exhibitions throughout Europe and the United States from the 1950s onwards, became one of the defining visual languages of the 1960s and 1970s, inspiring an entire generation of artists, designers, and craftsmen.

This mirror is a vivid document of its period, and a testament to the extraordinary reach of Op Art beyond the gallery walls and into everyday life. Its geometric energy and optical dynamism make it a commanding decorative presence: hung in an entrance hall, above a console, or at the centre of a composed gallery wall, it invites the eye into its shifting, kaleidoscopic depths. For the collector of 1970s decorative arts or the admirer of Vasarely's visual universe, it is an irresistible acquisition.