Pair of Modernist Wrought Iron Andirons in the Style of Jean Royère, circa 1940

Pair of modernist wrought iron andirons with cylindrical flat-capped uprights on tripod splay-leg bases, in the style of Jean Royère. W. 24.5 × D. 41.5 × H. 30 cm. French work, circa 1940.

PRODUCT DETAILS

Dimensions en CM 24.5 x 41.5 x 30 cm
Dimensions en INCH 9.65 x 16.34 x 11.81 inch
Période 1930–1940
Style Modernism
Matériaux Steel

PRODUCT DESCRIPTION

These modernist wrought iron andirons display the biomorphic playfulness and organic structural logic that characterise decorative objects produced in the orbit of Jean Royère in the late 1930s and 1940s. Each andiron is composed of a solid cylindrical upright, flat-topped and slightly tapering, that rises from a tripod base of three outward-splaying legs — an arrangement that gives each piece an insect-like or camera-tripod quality very different from the conventional arch or scroll base of the historical French andiron. The legs terminate in small curled pads where they meet the hearth floor, a detail of quiet refinement consistent with the craft standards of the Royère circle.

Jean Royère (1902–1981), one of the most celebrated and idiosyncratic French interior decorators of the twentieth century, developed a distinctive vocabulary of organic, curvilinear, and biomorphic form that set him apart from both the classical restraint of the neoclassical tradition and the austerity of high modernism. His work — encompassing furniture, lighting, and objects d’art — is characterised by a playful intelligence, an organic formal language, and an exquisite attention to craft. Andirons and fireplace accessories in the manner of Royère are consistent with his broader vision of the interior as a total work, in which every furnishing — however functional — participates in the overall decorative programme.

The cylindrical upright of these andirons, with its flat-capped summit, recalls the column forms found in Royère’s furniture designs of the same period — forms drawn from nature rather than from architectural order, expressing structural logic through organic rather than classical means. The tripod base, distributing the load across three equidistant points, is both a practical engineering solution and a formal gesture that rejects the symmetry of the conventional paired arch in favour of something more dynamic and unexpected.

At thirty centimetres tall and twenty-four and a half centimetres wide, these are compact andirons well suited to an intimate fireplace. They are in good condition, the matte wrought iron surface presenting a consistent dark patina with no losses to any element.

SIMILAR SELECTIONS