Large Gilt Iron Lantern with Foliage Decoration, Art Déco, Maison Baguès, Italian, circa 1940

Large gilded iron lantern with foliage decoration. Italian manufacture by Palladio for Maison Baguès. Art Déco, circa 1940.

W. 45 cm × D. 45 cm × H. 99.5 cm

PRODUCT DETAILS

Dimensions en CM 45 x 45 x 99.5 cm
Dimensions en INCH 17.72 x 17.72 x 39.17 inch
Période 1930–1940
Style Art Deco
Matériaux Gilded Metal

PRODUCT DESCRIPTION

The foliage decoration — a network of scrolling gilt branches, leaves, and naturalistic botanical elements — is among the most characteristic aspects of the Maison Baguès aesthetic. Where many contemporaries were pursuing the geometric severity of Art Déco in its purest form, Baguès consistently maintained a dialogue with the natural world, translating it into metalwork of extraordinary fineness. In this large lantern — forty-five centimetres across and nearly a metre in height — that botanical vocabulary is deployed on a grand scale: the gilt iron frame carries its decorative programme with the assurance of a house accustomed to furnishing the largest and most demanding interiors of Paris.

Maison Baguès, founded in Paris in 1860 and reaching the height of its prestige in the first half of the twentieth century, occupied a unique position in the French luxury market: simultaneously a decorating house, a manufacturer, and a tastemaker. For certain productions, Baguès commissioned Italian manufacturers capable of executing the complex metalwork their designs required. The Venetian firm Palladio — renowned for its mastery of gilt and patinated metals — produced pieces under this arrangement, supplying Baguès with objects that combined Italian technical excellence with the French house’s aesthetic authority. This lantern bears evidence of that collaboration: the quality of the gilding and the precision of the ironwork speak to the Palladio manufacture, while the decorative programme is unmistakably Baguès.

A piece of this scale — nearly a metre in height, with elaborate foliage ornament in gilt metal — represents the upper register of Baguès production. It would have been conceived for a grand hôtel particulier, a château, or the reception rooms of a major institutional client; its proportions and presence demand a setting of corresponding ambition. An important piece from one of the most celebrated names in twentieth-century French decorative arts.

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